An Argentinean company focused on profesional sound.
Solid state recorders have become a veru usefull tool for all those who want to capture their ideas in real time...
DR-1 The TASCAM DR-1 puts world-dominating power into your pocket. Its built-in stereo microphones include a unique variable angle mechanism, so you can set it to record from any angle. The DR-1 is the first portable recorder to include a 1GB card, so you'll have plenty of CD or MP3-quality recording time for long rehearsals and concerts. A pair of microphones is mounted on a variable angle mechanism, which allows the recorder to record from almost any angle. The built-in stereo condenser microphones are arranged for a wide stereo image, and an external mic can also be used. The unit includes a generous 1GB SD card for hours of recording at MP3 or WAV file formats. The DR-1 also includes auto gain control and analog limiting for easy setup and a low-frequency cutoff to eliminate handling or wind noise. TASCAM's DR-07 brings portable digital recording to an even smaller, more affordable package. A pair of highly-sensitive built in mics captures a wide stereo image, recording in either MP3 or 16/24-bit WAV format. The DR-07 is powered by AA batteries and it transfers files to a computer using a high-speed USB 2.0 connection. The versatile recorder even includes a windscreen, tripod stand mount and 2GB SD card to start recording right away. Musicians will appreciate the playback functions of the DR-07, including the ability to loop MP3s and slow them down without changing the pitch. External microphones and sources can be recorded through the mic/line input, and the recorder offers analog limiting, low cut and auto gain setting for great-sounding audio. But for great-sounding recordings, the compact DR-07 is all you need. DR-100 The rugged TASCAM DR-100 offers high-end recording features to musicians and engineers who demand more from their portable recorder. It features four built-in microphones, two cardioid and two omnidirectional, with analog limiting and filtering for great-sounding recordings. A pair of XLR microphone inputs with phantom power welcomes pro-grade condenser microphones, and line in and out connectors are also provided. The DR-100 includes a rechargeable Lithium-ion battery, but can also be powered by AA batteries or an optional AC adapter. A built-in speaker allows for instant playback, and the metal enclosure includes a tripod mounting hole for recording flexibility. A wireless remote control is also included for remotely starting the recording. GT-R1 With TASCAM's GT-R1, you can plug in and record anywhere. It combines a portable recorder with an instrument trainer for the ultimate songwriter's toolkit. Record using the built-in stereo condenser microphones, or plug in your guitar or bass to record using the amp simulator, reverb and multi-effects. The GT-R1's built-in rhythm machine sets the groove when beginning your song, and the overdub mode allows you to build a song step-by-step. TASCAM's GT-R1 records in MP3 or WAV format, 16-bit or 24-bit. A generous 1GB SD card is included to get you started, and the USB 2.0 jack charges the recorder and copies your recordings to your PC or Mac. There's a low cut filter and analog limiter to keep levels under control, whether you're improvising in the studio or recording rehearsals or concerts.
Wireless systems
LECTROSONICS UM400a - Belt-Pack • Digital Hybrid Wireless™ Technology • 256 synthesized UHF frequencies • 100 mW output power • DSP controlled dual envelope input limiter • DSP emulations for analog compatibility • Servo bias input preamp • DSP based pilot-tone signal • Circulator/Isolator output stage • Adjustable low frequency roll-off LECTROSONICS UH400a - Plug-On • Digital Hybrid Wireless™ Technology • Converts Microphones With XLR Jacks To Wireless Operation • Selectable 5, 15 And 48 Volt Phantom Power Plus Off Position • 256 Synthesized UHF Frequencies • 100 Mw Output Power • Dual Envelope Input Limiter • Dual Bicolor Leds Indicate Four Different Levels For Accurate Gain Adjustment • Dsp Based Pilot-Tone Signal • Isolator Protected Output Stage • Rugged Machined Aluminum Housing • Compatible With 100, 200 Or 400 Series Lectrosonics Receivers LECTROSONICS UCR401- Receptor • Digital Hybrid Wireless™ • SmartSquelch™ for noiseless muting • SmartDiversity™ for enhanced RF reception • 256 selectable UHF frequencies • DSP-based pilot tone squelch • LCD display with spectrum scanner • Balanced XLR audio output • Two AA batteries or DC power • Compatiblity with analog transmitters LECTROSONICS R400a - Receiver • Digital Hybrid Wireless™ (U.S. Patent #7,225,135) • SmartSquelch™ • SmartDiversity™ • SmartTune™ for auto frequency selection • 256 selectable UHF frequencies • RF-controlled digital noise filters • Low noise, Robust RF Front End • DSP-based pilot tone • Graphics type backlit LCD display • Independent balanced XLR and unbalanced 1/4-inch audio outputs • Compatiblity modes for use with analog transmitters For more information on LECTROSONICS in Argentina visit www.exosound.com.ar
TASCAM's M-164 series is a lineup of affordable mixers for live bands, home recording or installation. Three models are available to fit your needs: M-164 • 16-channel mixer M-164FX • 16-channel mixer with digital effects M-164UF • 16-channel mixer with effects and USB 2.0 interface
M-164 * Overview * Specifications * Resources * Images * Buy Now TASCAM's M-164 series is a lineup of affordable mixers for live bands, home recording or installation. Three models are available to fit your needs: M-164 • 16-channel mixer M-164FX • 16-channel mixer with digital effects M-164UF • 16-channel mixer with effects and USB 2.0 interface Each of the mixers has six TASCAM mic inputs with XLR ins and phantom power for great-sounding tracks. Mic inputs additionally have 3-band EQ with hipass filters for sculpting the mix. Five stereo line inputs bring the total count to 16 inputs, and several channels add EQ and RIAA phono preamps for adding flexibility. The M-164s have two output busses - main and sub - as well as a pair of aux sends for monitors and effects. The M-164FX adds a stereo effects processor with 16 programs of reverb, delay, chorus and other great-sounding effects. Step up to the M-164UF for a 16x2 audio interface that works over USB 2.0. The interface built into the M-164UF has the highest channel count of any mixer, allowing all 16 inputs to be recorded to their own track in your computer recording software.
Digital consoles
TASCAM DM-3200 * 32 channels and 16 auxiliary returns for 48 total inputs * 16 busses - configurable as two 6.1 surround sends * 8 Aux Sends * 16 analog mic/line inputs with phantom power for condenser mics, analog inserts and -20dB pad switch * 24 channels of TDIF and 8 channels of ADAT built in * 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards * Dedicated cascade port supports cascade of two DM-3200s * Per channel LED ring encoders for pan, aux sends and EQ * Built-in DAW control * All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate * Transport controls control DAW, HDR or tape playback * Dedicated DAW control surface layer for Digidesign Pro Tools®, Cakewalk SONAR®, MOTU DP™, Apple Logic, Steinberg Cubase® and Nuendo® * Powerful automation with touch-sensitive motorized faders * 4-band parametric EQ and dynamics on each channel * 32-bit internal resolution with 64-bit EQ resolution * Two built-in effects processors include TC Works reverb processing * Flexible routing - route from virtually any input to any output * Back up mix data to convenient Compact Flash media slot or to USB * Optional MU-1000 meter bridge * Stylish, professional design with rear panel I/O connections * TASCAM Mixer Companion software (Win XP/OSX) with: o Driverless USB connection to computer o Backup/restore data via USB o On screen timecode, transport and meter displays * Maximum overall dimensions (w x d x h): 27.6" x 32.9" x 9.1" (700mm x 836mm x 230mm) * Weight 52.8lbs (24kg) TASCAM DM-4800 * 48 channels and 16 returns for 64 total inputs * 24 busses * 12 Aux Sends * 24 mic/line inputs with analog inserts plus phantom power for condenser mics * 24 channels of TDIF and 8 channels of ADAT built in * 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog, TDIF and Surround Monitoring cards * Dedicated cascade port supports cascade of two DM-4800s * Channel Strip section for EQ, Dynamics and Aux control of selected channel * Per channel LED ring encoders for pan, aux sends and EQ * Built-in DAW control layer compatible with Pro Tools®, Logic Pro™, SONAR™, Cubase™, Nuendo™, and Digital Performer™ * Transport buttons control DAW software, RS-422 devices or MMC devices * Powerful automation with touch-sensitive motorized faders * 4-band EQ, compression and gating on each channel * Compression for each aux, buss and main output * Two built-in effects processors, each able to run TC Reverb programs * Flexible routing allows any input to be routed to any channel or output * Offload data to convenient Compact Flash media using built-in CF slot * Optional MU-1000 meter bridge (as shown) * Maximum overall dimensions (w x d x h) including rest: 36.75" x 32.4" x 9.1" (933mm x 824mm x 230mm) * Weight: 71lbs (35kg)
Lab.gruppen PLM 14000 powered loudspeaker management systems have 2 inputs (Analog/AES/Dante) and 2 amplified class TD outputs with binding posts. Call us at 1-877-258-0563.
PLM 14000 Powered Loudspeaker Management system The PLM 14000 extends the PLM Series with a two-input, two-output power platform optimized for high-power requirements, making it ideal for demanding subwoofer and low-end applications with loading down to 2 ohms. Beyond unrivaled amplification, the PLM 14000 seamlessly integrates networked audio distribution, drive processing, and load verification with real-time performance monitoring into a single hardware unit plus unified software controller. As a cohesive system, the PLM 14000 affords significant advantages when compared to conventional approaches utilizing separate components. Features * 7000 W per channel @ 2 ohms** * 4350 W per channel @ 4 ohms** * 2U chassis weighing only 13.5 kg (30 lbs) * Class TD® output stage * Regulated Switch Mode Power Supply (R.SMPS™) * Copper-finned Intercooler® with transverse-mounted output devices * Full suite of protection and fault monitoring features * Comprehensive loudspeaker preset database * LoadLibrary™ load “Fingerprint” (identity and characteristics) data * Comprehensive LoadSmart™ load verification and SpeakerSafe™ continuous loudspeaker performance monitoring * Dante™ low-latency digital network included as standard * Fully compatible with Dolby Lake Processor, Lake Contour™, and Lake Mesa Quad EQ™ and Mesa Parametic EQ™ devices * Primary and secondary network connections (for daisy chaining or system redundancy) * Digitally controlled ”amplifier gain” adjustable in 0.1 dB steps from 22 to 44 dB * Digital output attenuation in 0.25 dB steps from -inf to 0 dB * Dual Binding post (4) or Neutrik® Speakon® (2 x NLT4) power output connectors * Digitally implemented, zero-overshoot Inter-Sample Voltage Peak Limiting (ISVPL™) adjustable in 0.1 V steps from 17.8 to 193 V * Power Average Limiter (PAL) High-brightness front-panel LCD display * Moisture resistant silicone touchpad for front-panel display modeselection and menu navigation
Audio Interfaces
US line upgrade TASCAM US-100 The US-100 records in stereo at CD-quality 48kHz/16-bit resolution and includes a free copy of Audacity software to get you started. An XLR or 1/4" microphone input is provided, as well as unbalanced stereo line ins and outs. Step up to TASCAM quality without breaking the bank with the US-100. TASCAM US-122mkII The US-122mkII starts with two great-quality XLR microphone preamps with phantom power for condenser microphones. There's also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. The stereo signal is sent to your computer at up to 96kHz/24-bit audio quality. TASCAM US-144mkII The US-144mkII starts with two great-quality XLR microphone preamps with phantom power for condenser microphones. There's also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. A pair of S/PDIF digital inputs and outputs is also included, for a total of four inputs and outputs at up to 96kHz/24-bit audio quality.
Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class.
Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers. * The price/performance standard in side-address studio condenser microphone technology * Ideal for project/home-studio applications * High SPL handling and wide dynamic range provide unmatched versatility * Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response * Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source * Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
BIDIRECTIONAL RIBBON MICROPHONES
Audio-Technica, a leading innovator in transducer technology for over 45 years, unveils its first-ever ribbon microphones, the AT4080 and AT4081, two new offerings from A-T’s expanding 40 Series. Audio-Technica’s R&D team in Japan engineered and manufactured the AT4080 and AT4081 from the ground up, utilizing a hand-built, proprietary design and rugged, durable construction. Both offer smooth, warm and natural sound with precise, articulate detail to meet the critical requirements of today’s recording, broadcast and sound reinforcement professionals. With 18 patents pending, Audio-Technica’s innovative ribbon transducer advances the evolution of ribbon microphone technology, combining remarkable durability and high SPL capability with smooth, rich audio quality. The AT4080, whose footprint is that of a classic “suspension cradled” side-address condenser, is recommended for vocals, horns, strings, acoustic instruments, drum overheads, orchestras, ensembles and guitar cabinets. The AT4081, with an appearance more like that of a pencil condenser, is optimized for strings, saxophones and other horns, acoustic instruments, drum overheads, orchestras, ensembles and guitar cabinets; its low-profile stick design maximizes placement options. Both mics excel in recording studios as well as in live-sound settings. The AT4080 and AT4081 are side-address ribbon microphones with bidirectional polar patterns. Delivering the versatile performance and warm, natural sound of classic ribbon microphones, the AT4080 and AT4081 each feature a robust build for long-lasting performance and offer phantom-powered active electronics for easy use with microphone preamplifiers. Extremely powerful N50 rare-earth neodymium magnets provide high output levels, and the mics’ innovative dual ribbon construction offers increased sensitivity and SPL handling capability. The bidirectional polar pattern of the mics makes them equally sensitive to sounds originating in front and back of the mic. Both feature extended frequency response for natural audio reproduction, and the AT4080 utilizes an acoustic baffle system and an extra-large output transformer, providing extended low-frequency response and dynamic range. The AT4080 and AT4081 both benefit from Audio-Technica’s meticulous attention to detail. Each microphone is handmade in Japan, including ribbon corrugation, imprint and assembly. Both models feature a rugged and durable construction, making them far more robust than other ribbon mics. And like all 40 Series microphones, each and every AT4080 and AT4081 microphone is individually tested and inspected for 100 percent quality assurance. A significant breakthrough in ribbon cartridge design, Audio-Technica’s patent-pending MicroLinear™ ribbon imprint minimizes lateral flexing for durable performance and accurate reproduction of the sound source, as well as freedom from ribbon distortion. The AT4080 and AT4081 are enclosed in rugged housings and feature stabilized internal components. Both employ ultra-fine inner mesh to help protect the ribbon elements against damage from wind and plosives. Combined, these engineering features result in a ribbon microphone of unparalleled durability. While the application of phantom power was prohibited for typical ribbon microphones, the AT4080 and AT4081 in fact require 48V phantom power for operation. The phantom power, however, is used not for the microphones’ dynamic ribbon transducers, but for their active electronics, which bring their output to near condenser microphone level. This high output and stable impedance make the microphones easy to integrate with microphone preamplifiers. The output of each microphone is a 3-pin XLRM-type connector. Output is low impedance (Lo-Z) balanced.
